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no altar for the company man

by supine

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1.
under lock and tesseract paltry sums and leavened bread time is a construction of man untethered to accumulated wealth I trade in paltry sum for leavened bread levity gave burned at the stake time is such a fleeting thing who the fuck deserves ownership? I am paltry sums I am leavened bread tessellating cyclical time is not money at all that aphorism undermines your worth paltry sum paltry bread hunger pangs, back again time don’t heal a fuckin thing gimme love gimme eternal spring under lock and tesseract overworked no parapet boss is the office again his time is money yeah his time is his money our time is his money
2.
hold up the lamp I’ve seen such grace go forth toward it cast out a net if motion is aether then so is a song i’m tougher to pin down if I hum along writhe bury me bare before I air my misgivings after I died the whole world kept on living a plaintive sigh go taciturn arch your back until it doesn’t hurt the forlorn form enunciates mandalas holding diadems aloft pulsing nerves anxious blows arch my back until it doesn’t hurt the forlorn form eradicates mandalas holding diadems aloft my vision, do you remember it the way it was before? is there anguish rapping at your door? I have grown taciturn, I am a forlorn form i’ve arched my back so many times that now i always hurt writhe to keep the waves of guilt at bay writhe
3.
amidst pontiacs & conifers, forgot the language used to call. feel reduced to soot again, and stumble down the hall. amidst pontiacs & conifers, is that creek still frozen over? what are you keeping in the water there? a truth that never thaws? an old photo hangs on a new wall (fold my hands) i’m triumphant in my ventricles, parsing old thrust of vowels, Its constant; I’m paranoid lusting the void- (all-consuming/banish the woe/you only love me in my manic state)
4.
who surveys the rocks that gather in the creek? who loosens them? who owns the levy, the toil, and the leaves blown from far-off trees? do we have to give this role to the state? It’s the same aftermath, that will never change: fake gold, feigned hope same holes, new place do we have to give this role to the state? it’s the same aftermath, that will never change there’s profit couched in compassion workers’ wage stays the same
5.
surely I could coax a globe to the fulcrum of my brow, refracted light through my eyes finds a smile in a scowl. but what of the Hell- that tugs at my tendons concerned of only itself? and what of the house- supposing that’s something I should be concerned about? age of promise age of willful indiscretion age of relics age of tombs stood proud of their toil I’m still brandishing disdain, still shooing at the thought of old haunts. for every recollection there’s always an interaction with your ghost. (I know its a fool’s errand, redecorating the room. I know its a fool’s errand, redecorating the space.) all I saw was the blood on the stairs. the shards of glass in the yard didn’t arrive from a leisurely walk.
6.
--
7.
the old guard are forming factions and leveraging them new blood to line their coffers, gilded as planned their halls lined with lighted sconces, otherwise dark i see your scotch-brite and raise you peat moss, the color of dirt augment the reins to offset the power concentrated in glistening palms augment the reins to undermine the weight of a few fronds augment the reins to offset the power concentrated in glistening palms augment the reins to emulate the shape of a hammer you stand up for some beguiling causes its easier yet to let the steam collect around your tired head than face them forthright, besides it was futile the last time you tried. it ebbs and it flows, your cistern of will and never shares where it goes. with plodding empaths, I resign to pilfer whatever joy I can find you stand up for some beguiling causes let em mix potions & pills you stand up for some beguiling causes watched as they erode the hills
8.
wait, an impermanence seeps through the incessant trill of time-lapsed— is the key homogeny; to making the world spin so fast it seems to stay in one place? focus on words and less what they say fall back upon those old hymns you sang think of the mold and less of the clay think of the words and less what they mean fall back upon those old hymns you sing (one pulse coursing as a collective heartbeat) they’re gonna sell you short they’re gonna laugh it off- fire missiles at haystacks to weed out proverbial needles paint pictures of pastures as you stew in contempt
9.
ripe is the guilt as night unfurls a subtext that I misconstrued steady the hilt of the knife you hold you balk and you jeer, you prod and goad excise the faults from within again and again and again excise the body limb from limb again and again and again no need to cover your eyes i’m pulling the skin back over the bone and dancing again

about

 “No Altar For The Company Man” is a reconciliation between the divorce of labor from its product and the internalization of personal inadequacy.  The imagery of domestic turbulence is presented as the consequence of struggling within a man-made transactional system designed to concentrate wealth and power.  Our individual self-care routines and mindfulness practices are prescribed to distract and satisfy ourselves within the futility of these systems, to leave the hierarchical structures of capitalism unchallenged though we innately carry the guilt of the increasingly unnatural state of human existence.

credits

released September 17, 2021

tim keating - bass
jason jenigen - drums/vocals
sean brown - guitar
stephen patrick dawson - vocals

recorded, mixed, and mastered by Scot Moriarty at Backroom Studios
album artwork by stephen patrick dawson

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supine Philadelphia, Pennsylvania

worry hymns from philadelphia

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